Alyssa De Luccia

"Images in Fashion - Clothing in Art"
18.02.2022 - 30.05.22 Photography, painting and fashion 1900 to Today” in the Berlinische Galerie, Berlin, Germany.

Dr. Thomas Koehler Dir. of the Berlinische Galerie.
Dr. Annelie Lütgens, curator of the exhibition.

Berlinische Galerie
Landesmuseum für Moderne
Kunst, Fotografie und Architektur
Stiftung Öffentlichen Rechts
Alte Jakobstraße 124–128
10969 Berlin

Catalog available in both German & English.
Artists* (selections):
Karl Arnold, Martin Assig, Elvira Bach, Sibylle Bergemann, Rolf von Bergmann, BLESS, Tabea Bless, Marc Brandenburg, Mercedes Engelhardt, Hans-Peter Feldmann, Lieselotte Friedländer, Ulrike Grossarth, George Grosz, F.C. Gundlach, Gerd Hartung, Bertram Hasenauer, Raoul Hausmann, Hannah Höch, Alexandra Hopf, Kathe Kruse, Alyssa De Luccia, Ute Mahler, Jeanne Mammen, Anna Muthesius, Helmut Newton, Ulrike Ottinger, Rico Puhlmann, Lilla von Puttkamer, Rafael Rheinsberg, Frieda Riess, Ursula Sax, Rudolf Schlichter, Wiebke Siem, Franz Skarbina, Claudia Skoda, Eugen Spiro, Herbert Tobias, Yva

Alyssa De Luccia is a visual artist, who lives and works in Berlin, Germany. Simultaneous dualities is a recurring theme in her work. As an artist, she draws inspiration from unfamiliar environments with the knowledge that everything isn't what it appears to be. Alyssa DeLuccia engages a range of disciplines which include photo-documentation, installation, portraiture, photo-montage and most recently drawing, reflecting her interest in formalism while at the same time following a strong tradition in feminism, surrealism and dadaism. While her work increasingly reflects these influences, in recent times it also leans towards a social and political statement of a society out of balance as well as paying homage to the work of Hannah Hoch, a pioneer of Photomontage and social criticism of mass media.

She has shown in numerous museums and galleries, including The Berlinische Galerie, Berlin, Germany; The Corner at Whitman-Walker, Washington, DC; Staatliche Kunsthalle, Baden-Baden; the Wilhelm-Hack-Museum, Ludwigshafen am Rhein; Thaddaeus Ropac Gallery in Paris; and the Brandenburg State Museum in Cottbus, Germany. She has been the recipient of grants and residencies from a range of sources including The MacDowell Colony; KB-Künstlerhaus Bethanien Berlin; KW Institute for Contemporary Art Berlin; the Cité des Arts in Paris; Stiftung Kunstfonds from Bonn; Research/ Artist Grant and a Special Scholarship for Fine Arts from the Berlin Senate.

For image requests, please contact VG Bild-Kunst,
the German non profit collecting society:

Installation documentation by Uwe Walter